This poem shows the estrangement between a father and
his adolescent son. It seems
to be
a dramatic monologue, as the persona -the father- is addressing someone who is not
present and his words reveal different aspects of his own
personality.
I
do not understand this child
Though
we have lived together now
In
the same house for years. I know
Nothing
of him, so try to build
Up
a relationship from how
He
was when small. Yet have I killed
In
the first
stanza,
the persona describes his relationship with his
son: they are together and yet apart. The first line opens with the
first person pronoun and finishes with the word “child”, which
graphically shows the distance between them. Besides, the persona
uses the phrase “this child” instead of “my son” to further
emphasise their estrangement.
It is as if the persona does not feel his son like his own but like
someone else’s. In contrast, the words “together” and “same
house” appear in the same stanza and suggest the opposite: their
closeness. These set of words demonstrate that they are physically
near but they cannot connect in an emotional way.
The
phrase “for years”, in the third line, may be suggesting that the
word “child” that the persona used in the first line is just an
expression of the personal way in which he sees his son, but not a
description of his age. In the sixth line, a reference to the time
when the son was small suggests that the son is not a little boy
anymore, but has grown into a young man. However, the father is
trying to build a relationship with his son from the way in which
the boy used to be when he was small, which is evidently a mistake.
This detail reveals how short sighted the father is as he cannot see
his own limitations and tries to construct the relationship from
preconceptions which are far away from reality. The father does not
accept his child has grown. As he does not know his son in the
present day, he treats him as if he were still a child, when he did
know him.
The
use of enjambment in all lines seem to mirror the state of the
relationship. As the father and son, the lines seem to be separated
(by the line-end) but together (from a syntactical and a semantical
point of view.) In the third and fourth lines, the use of line-break
is quite meaningful. The third line ends with “I know” and the
following line starts with “nothing”. The line break and the
initial position of the negative pronoun (“nothing”) lays a lot
of emphasis on it, and thus stresses the estrangement of father and
son. In the fourth line, the line break splits a phrasal verb: “build
up”. Separating these words emphasises the difficulty to build up
the relationship or to reconstruct it.
The
seed I spent or sown it where
The
land is his and none of mine?
We
speak like strangers, there's no sign
Of
understanding in the air.
This
child is built to my design
Yet
what he loves I cannot share.
The
first stanza ends with a metaphorical question which continues in the
second
stanza.
This question conveys the way in which the father resents the son´s
growing independence. The first possibility (“ Yet have I killed
/the seed I spent(...)” ) suggests the father recognises nothing of
himself in his son. His son seems to have become completeley
different from him. The second one (“or sown it where the land is
his and none of mine?”) makes reference to the fact that the son
has grown independent, and therefore has become the owner of his own
life and destiny. Both
possibilities present the seed as a metaphor of the spermatozoid that
originated the boy, and that should
have- but apparently has
not-
left on him the genetic imprint of the father. In the first case,
the sowing seems to have been a useless waste, as the seed seems to
have died; in the second case, it is clear that the father´s part
ended as soon as the seed was planted, as the growing process took
part in an alien land.
In
the third line, the contrast between the words “we”(which
suggests closeness) and “strangers” (which shows the distance
between them) reminds us of the ideas conveyed in the first stanza:
father and son live together but they have a distant relationship.
The line-break after the expression “no sign” highlights the
complete absence of understanding between them. The use of the first
person plural pronoun suggests that misunderstanding flows both ways:
none of them understands the other.
In
the last two lines, we can see that the father wished his son to grow
in a predetermined way, according to a certain design he had in mind.
The use of the passive voice reinforces the idea that the son is in
the father´s view a passive performer of his plans. However, father
and son are nothing alike because the son seems to have developed in
a different way. Therefore, the son’s interests are far from being
those of his father.
Silence
surrounds us. I would have
Him
prodigal, returning to
His
father's house, the home he knew,
Rather
than see him make and move
His
world. I would forgive him too,
Shaping
from sorrow a new love.
The
third stanza begins with a short and effective sentence
emphasising the lack of communication between them: they do not speak
to each other. The sibilance suggests the silence that enfolds them.
The caesuras reinforce the idea that communication does not flow
easily between them.
There
is a reference to a passage of the Bible: the parable of the Prodigal
Son (Luke 15:11–32). The words “I would have” suggest the
father would like to have a choice in his son’s life but he
doesn’t. The father´d rather see his son returning to him in need
like the son in the parable of the Bible than have him grow
independent: “make and move his world.” We can conclude that the
father is oppressive and domineering as it is evident that he doesn´t
want his son to go and live his life. Moreover, the use of the third
person possessive adjective in the phrase “his world” suggests
that the father resents not being included in the boy´s circle at
all. On the other hand, the word “world” conveys the idea of a
enormous and free space, which contrasts with “house”, i.e. the
confined space where the father would like to cage his son. The
father´s house used to be the son´s home, but it is not so any
longer.
The
last sentence of the stanza lets us know that, as in the parable of
the Bible, if the son comes back, the father would welcome and
forgive him warmingly, forgetting the rift between them. The word
“sorrow”is ambiguous as it could be interpreted as either the
father’s or the son’s, and the phrase “new love” seems to
open up the possibility of a new beginning for them. However, the
reader perceives the irony of this love as it would only emerge if
the son renounced to his freedom and abode by the conditions the
father imposed on him. It is not a love that can grow from real
understanding and acceptance of differences. Rather, it is a despotic
and stifling love.
Father
and son, we both must live
On
the same globe and the same land.
He
speaks: I cannot understand
Myself,
why anger grows from grief.
We
each put out an empty hand,
Longing
for something to forgive.
The
fourth stanza summarises
the persona´s ideas about what their relationship should be and the
reasons why they fail to connect. The first two lines suggest
that, in the father´s view, father and son must live together and
share the same spaces in harmony. Furthermore, he highlights the
desirable closeness that they must achieve by the choice of words and
structures. The stanza starts with the phrase “father and son”.
It is the first time the two words appear together in the poem, linked
by a coordinating conjuction and isolated from the rest of the
sentence by a caesura. Their togetherness is also conveyed by the use
of the first person pronoun and the word “ both”, and by the
repetition of “same”. On the other hand, the shared space in
which the father and the son should interact and begin the process of
understanding each other (“ the same globe and the same land.”)
seem to have become wider than before: both in the first and in the
third stanzas the space shared by them was just the father´s house.
These words suggest that the father expects to be able to increase
the range of the spaces they share.
However,
his expectations and ideas about what the relationship should be are
far from being met in the present. When the son speaks, the persona
cannot help feeling angry. The caesura emphasises the distance and
the lack of understanding between them. The father's anger is
further emphasised by the snarl created by the alliteration of the
letter “g”. The father´s grief for having lost his son is
overcome by his anger and impatience when he listens to him. The last
two lines let the reader know that neither father nor son is engaged
in the reconciliation as they don’t offer anything to improve the
relationship but just expect a sign of repentance or an apology from
the other. It is clear that the relationship has come to a
standstill, and will not improve because neither side is willing to
offer anything.
Iara Ceriale- Catalina Humphreys.
Iara Ceriale- Catalina Humphreys.
A very convincing interpretation and a deep analysis of the poem. It helped one to understand the poem very well. Kudos to the writer.
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ReplyDeleteI am amazed, the explanation is just like I can't even say. Its so detailed and different from all the other sites i visited to get a hang of this poem
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